As part of a transference and transmission of ideas beyond my research (while rooted in it) documentation of the ‘making’ process also lends itself to being unpicked, (re)read, (re)written, and (re)presented differently.

Feeling my way forward and beyond, as I loop back over and into, this research I therefore imagine ongoing unmakings, makings, and remakings that make use of this body of material while simultaneously destroying it.